Blackmagic managed to do this by adding the second mini XLR input on the same side. This is a great addition to the BMPCC series, especially when cameras like the Sony FX6 and a7s III can record up to four channels of audio with the XLR-K3M adapter. The BMPCC 6K Pro has also two mini XLR audio inputs that provide 48v phantom power where the BMPCC 6K only has a single input. That said, it will be very helpful when capturing low-angle shots.

While the new tilting screen is nice, it can't front face like the version from Tilta. Because of the lack of angle change, third-party manufacturers stepped in to create modification kits like this one from Tilta that runs about $500. This is a big jump from the BMPCC 6K that featured an HD touchscreen that didn't tilt. Speaking of the display, Blackmagic also upgraded the on-camera monitor to an adjustable tilt HDR LCD with 1500 nits of brightness. You can select the filter setting to display either an ND stop number, stop reduction, or fraction on the display. Blackmagic has placed the buttons on the reamer of the camera body within striking distance of most thumbs. Where the camera separates itself is with its new built-in ND filters with 2, 4, and 6 stops of ND, which filter out both optical and IR wavelengths. The Pocket Cinema Camera 6K Pro has the same Super 35 size 6144 x 3456 image sensor, color science, and recording specs as the Pocket Cinema Camera 6K. With a $2,495 price tag, which is $500 more than the Pocket Cinema Camera 6K and $1,200 more than the Pocket Cinema Camera 4K, let's see what the 'Pro' version has to offer. Let's dive into the new features of the Pocket Cinema Camera 6K Pro.īlackmagic Design has added a third Pocket Cinema Camera option with the Pocket Cinema Camera 6K Pro.

Bmpcc 4k green screen